St. Joan of Arc

Among all the multitude of queer saints,  Joan of Arc is one of the most important. In her notorious martyrdom for heresy (a charge which in historical context included reference to her cross-dressing and defiance of socially approved gender roles), she is a reminder of the great persecution of sexual and gender minorities by the Inquisition, directly or at their instigation. In LGBT Christian history, “martyrs” applies not only to those martyred by the church, but also to those martyred by the church. In her rehabilitation and canonization, she is a reminder that the leaders and theologians of the church, those who were responsible for her prosecution and conviction, can be wrong, can be pronounced to be wrong, and can in time have their judgements overturned.(This is not just a personal view. Pope Benedict has made some very pointed remarks of his own to this effect, while speaking about Joan of Arc).  In the same way, it is entirely possible (I believe likely) that the current dogmatic verdict of Vatican orthodoxy which condemns our relationships will also in time be rejected.  We may even come to see some of the pioneers of gay theology, who have in effect endured a kind of professional martyrdom for their honesty and courage, rehabilitated and honoured by the Church, just as St Joan has been.

Joan of Arc Iinterrogation by the Bishop  of Winchester (Paul Delaroche, 1797 -1856)
Joan of Arc:  Interrogation by the Bishop  of Winchester (Paul Delaroche, 1797 -1856)


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Rosa Bonheur: Cross-dressing painter honored “androgyne Christ”

Rosa Bonheur, the most famous female painter of the 19th century, was a queer cross-dresser who honored what she called the “androgyne Christ.” She had two consecutive long-term relationships with women. She died on this date (May 25) in 1899.

Born in France in 1822, Bonheur received much acclaim in her lifetime for her paintings of animals. In recent years she has been celebrated as a queer pioneer, feminist icon, and role model for the LGBT community. Her achievements grew out of an unusual religious upbringing in the proto-feminist Saint-Simonian sect, and the queer Christian ideals that she expressed in adulthood. Bonheur’s gender-bending lifestyle has been covered extensively by scholars, but her spirituality has received much less attention.

Her parents raised her in Saint-Simonianism, a French utopian Christian-socialist movement that advocated equality for women and prophesied the coming of a female messiah. Her father was an artist and an ardent apostle for the Saint-Simonian religion. Bonheur writes a whole chapter about growing up as a Saint-Simonian in the book “Rosa Bonheur: The Artist’s (Auto)biography,” which she wrote with her companion Anna Klumpke.

The Saint-Simonian concept of gender equality paved the way for Bonheur’s father to train her as a painter… and for her own defiance of gender norms. As she put it, “To his doctrines I owe my great and glorious ambition for the sex to which I proudly belong and whose independence I shall defend until my dying day.”

read more:  Jesus in Love Blog

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Harvey Milk, Secular Gay Saint and Modern Martyr

In California, May 22 is officially recognised as “Harvey Milk Day“. The reasons for this secular honour are well-known, and recorded in several books and notable movies.  In 1977, he became the first openly gay man elected to public office as a gay man, but served for only a short term before he was assassinated on  Nov. 27, 1978. Even in that brief term of office, he made his mark with his contribution to San Francisco’s landmark Gay Rights Ordinance, and to the defeat of the Briggs initiative, which would have required California school districts to fire openly gay and lesbian teachers, but was defeated in the November election shortly before Milk’s assassination. Rather than rehashing the bare facts of Harvey Milk’s life and career, which can be read elsewhere, I want to reflect a little on the symbolism and lessons that these have acquired, three decades later.

Although he is best known for his unique position as a trailblazer for out gay politicians, his work was not limited to queer advocacy, as Kittredge Cherry reminds us at Jesus in Love:

Milk (1930-1978) served only 11 months on the San Francisco Board of Supervisors before he was killed, but in that short time he fought for the rights of the elderly, small business owners, and the many ethnic communities in his district as well as for the growing LGBT community.


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“Ascension Day: Jesus Returns to God” (Jesus in Love Blog)

“As they were looking on, he was lifted up, and a cloud took him out of their sight.” — Acts 1:9 (RSV)

A male couple seems to dance skyward in a vision of the Ascension from “The Passion of Christ: A Gay Vision” by Doug Blanchard, a series of 24 paintings by Douglas Blanchard. Churches celebrate the Feast of the Ascension today (May 9).

Ascension, 22 J Returns To God.

The loving couple seems to dance in a mystical homoerotic union. Jesus, shirtless and wearing blue jeans, swoons in the arms of a dance partner who appears to be a hunky angel. But they both have crucifixion wounds on their wrists. Jesus is embraced directly by God! The position of their arms suggests a ballroom dance, perhaps a waltz, with God’s hand planted firmly on Jesus’ buttocks.

Detail from “Jesus Returns to God”

Beams of white light stream from God’s head in a bright sunburst, almost obliterating the blue sky. His wings look muscular, as if God must work hard to lift the dead weight of Jesus up from the earth. The wounds in Jesus’ wrists and feet were dark before, but now they glow like hot-pink jewels. Dissolving into white at the top, this is the lightest painting in Blanchard’s Passion series, contrasting with the pitch-black panel of “Jesus Among the Dead.” Now the misty clouds even spill over the frame on the lower left. The Bible and creeds make it clear where the dancing couple is headed. Soon Jesus will sit at the right hand of God.

– continue reading at Jesus in Love Blog

All Will be Well, and All Shall Be Well: Julian of Norwich, 8th May

There is no way that we should be thinking of Julian as gay or lesbian, but we should certainly think of her as queer (and as, she was undoubtedly female, in spite of her name). There are two reasons for including her here. The first is her pioneering unequivocal feminism. These are shown by her gender bending references in her book to God as mother – and even to Jesus as “mother Jesus”, which are habits for us too to acquire in our prayer. In her own career, she was remarkable for producing the first book to be written in English by a woman. Can we think of her as the first feminist theologian?

“The Mother can lay her child tenderly to her breast, but our tender Mother Jesus can lead us easily into his blessed breast through his sweet open side, and show us there a part of the godhead and of the joys of heaven with inner certainty of endless bliss.

The second is the fundamental nature of her spirituality, which was centuries ahead of her time, and can be especially valuable to those who, like the LGBT community, feel threatened by an accusatory and hostile  institutional Church.  Here, it is important to note that her optimistic spirituality, as indicated in the well-known quotation in my headline, is not simply a Panglossian, mindless “always look on the bright side”. There is a very sound theological basis for it, made clear in an expanded formulation of the idea:

“And so our good Lord answered to all questions and doubts which I could raise, saying most comfortably: I may make all things well, and I can make all things well, and I shall make all things well, and I will make all things well, and you will see yourself that every kind of thing will be well”.

All will be well – because God has promised to make them well. Hope is a virtue – and optimism a theological obligation.

Julian (not her birth name) was born in 1342. At the age of 30, she fell dangerously ill, coming close to death. At this time, she experienced a series of mystical visions on the Passion of Christ and on the love of God. After her recovery, she became an anchoress, and recorded her experiences which she described as “showings”, in her book. She is renowned for her insistence in these on God’s unbending love and care for Her people, which was unusual for a time when religion was seen in much stricter, more judgemental terms of avoiding eternal damnation.

Read “The Showing Of Love” on-line

The “Umilta” website has an astonishing collection of links to scholarly work on Juliana and her times ( including this useful one : Equally in God’s Image  Women in the Middle Ages

Friends of Julian describes itself as the  “official” Julian website. I don’t know on what authority they make the claim, but the site is at least attractive and informative.

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SS Benedicta, (6 May) and Galla (5 October), Roman nuns – and lovers?

One of the curiosities of the Catholic tradition of honouring our saints and martyrs, is how hagiography seamlessly combines historical biography, myth with collective amnesia. The stories of Saints Patrick and Brigid of Ireland, for instance, are replete with well-known legends that have absolutely no verifiable foundation in historical fact, and the delightful story of St Wilgefortis (aka Uncumber), the crucified bearded woman, turns out to have a much more plausible basis in reality. For many other saints, the distortions of hagiography are not just the accretions that are added by popular imagination, but the important details that are so often omitted in the transmission down the ages. St Paulinus, for instance, is widely honoured for his missionary work and for the impressive quality of his Latin devotional poetry. The standard Catholic sources on the saints, however, discreetly omit any reference to his other poetic legacy – equally fine homoerotic verse addressed to his boyfriend, Ausonius.

The story of Saints Galla and Benedicta of Rome may be another example of this selective memory.  

 

Neither of these is particularly well-known, and Benedicta is even less-so than Galla, but I start with her. There are references to her scattered across the internet, but they all seem to come down to a few lines similar to these, from Catholic Online:

Mystic and nun. Benedicta lived in a convent founded by St. Galla in Rome. Pope St. Gregory the Great states that St. Peter appeared in a vision to warn her of her approaching death.

This seems innocuous enough, until it is set against the parallel warning of imminent death that St Gregory also gave to the better known St Galla.

From a large selection of on-line sources, Wikipedia sums up the key uncontested points of her story, those widely reported elsewhere:

Galla was the daughter of Roman patrician Symmachus the Younger, who was appointed consul in 485. Galla was also the sister-in-law of Boethius. Her father, Symmachus the Younger, was condemned to death, unjustly, by Theodoric in 525. Galla was then married but was soon widowed, just over a year after marriage. It was believed that she grew a beard, to avoid further offers of marriage. Being wealthy, she decided to retreat to theVatican Hill, and found a hospital and a convent, near St. Peter’s Basilica. Galla is reputed to have once healed a deaf and mute girl, by blessing some water, and giving it to the girl to drink. Galla remained there for the rest of her life, tending to the sick and poor, before dying in 550, of breast cancer. 

 Notice, please, that little sentence tucked away in the middle, and its cautious qualifier: “it was  believed that she grew a beard, to avoid further offers of marriage.” This strategy of a holy woman, to grow a beard to avoid marriage, is precisely that adopted by Wilgefortis. Her legend appears to have a much more mundane explanation. I have no knowledge of any firm evidence to either corroborate, or to contradict, Galla’s legendary beard. What interests me is the rest of Galla’s story, and its treatment in hagiography.

An article at Catholic Culture is a good example. It seizes on the beard, and uses it as a moral fable, encouraging us to “dare to be different”.  Catholic Culture, however, claims that the beard story was only a threat, and the beard never did grow.

A story about St. Galla of Rome, illustrating the importance to not follow the crowd, but to be oneself. Legend says that St. Galla, after becoming a widow, grew a beard to avoid any offers of remarriage.

Not only girls who want to be nuns, but girls who just want to be good have to ignore a marvelous lot of nonsense from those who “follow the pack.” Life will pass you by, they say, and you won’t have any fun if you don’t do as we do! About as fast as St. Galla grew her beard, it will!

 So, then dare to be different – the cause of following holiness. But there’s one little detail also included in the  same article, which they do not comment on – a detail that has been omitted from all the other accounts I have seen about Galla. These all tell how, as reported by St Gregory, St Peter appeared to Galla in her final illness to predict the date of her imminent death. The other reports omit the crucial detail that the deaths of Galla and Benedicta were directly linked – at Galla’s express request to Peter:

One night she saw St. Peter standing before her between two candlesticks and she asked him if her sins were forgiven her. St. Peter nodded and said, “Come, follow me.” But Galla asked if her dear friend Benedicta might come too. Yes, she might, said St. Peter, after thirty days — and that is precisely what happened. St. Galla and another holy woman departed this life for heaven three days later, and Benedicta thirty days after them.

 As Censor Librorum at  Nihil Obstat noted in her reflection on Galla last December, a woman who first grows or threatens to grow a beard to avoid marriage, and then implores Saint Peter to allow her female beloved to accompany her into heaven, is not displaying a conventional heterosexual orientation.

I have no hesitation in hesitation in adding Saints Galla and Benedicta to my collection of queer saints and lovers.

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