Category Archives: Jesus

“Ascension Day: Jesus Returns to God” (Jesus in Love Blog)

“As they were looking on, he was lifted up, and a cloud took him out of their sight.” — Acts 1:9 (RSV)

A male couple seems to dance skyward in a vision of the Ascension from “The Passion of Christ: A Gay Vision” by Doug Blanchard, a series of 24 paintings by Douglas Blanchard. Churches celebrate the Feast of the Ascension today (May 9).

Ascension, 22 J Returns To God.

The loving couple seems to dance in a mystical homoerotic union. Jesus, shirtless and wearing blue jeans, swoons in the arms of a dance partner who appears to be a hunky angel. But they both have crucifixion wounds on their wrists. Jesus is embraced directly by God! The position of their arms suggests a ballroom dance, perhaps a waltz, with God’s hand planted firmly on Jesus’ buttocks.

Detail from “Jesus Returns to God”

Beams of white light stream from God’s head in a bright sunburst, almost obliterating the blue sky. His wings look muscular, as if God must work hard to lift the dead weight of Jesus up from the earth. The wounds in Jesus’ wrists and feet were dark before, but now they glow like hot-pink jewels. Dissolving into white at the top, this is the lightest painting in Blanchard’s Passion series, contrasting with the pitch-black panel of “Jesus Among the Dead.” Now the misty clouds even spill over the frame on the lower left. The Bible and creeds make it clear where the dancing couple is headed. Soon Jesus will sit at the right hand of God.

– continue reading at Jesus in Love Blog

Christ’s Queer Family

This week, the Catholic Church celebrated the Feast of the Holy Family – so often an occasion of trial for those Catholics who are not living in officially approved families of Mom, Pop, kids, pets and picket fence. Subjected year after year to the same -old, same-old shallow sermons on the joys of family life, single people, the divorced, childless couples and queer Catholics can easily find that this Sunday is a very pointed reminder of how easily and thoughtlessly we can be excluded from the Church community. Most of the standard preaching on the Holy Family though is entirely misguided – the true nature of the Holy Family is very far from a celebration of the modern, but inappropriately named,  “traditional family” .

Not a “Traditional Family” (Raphael)

Continue reading Christ’s Queer Family

Was Jesus Gay? Mark, and the “Naked Young Man”.

Discussion of the question “Was Jesus gay?” usually revolves around the references in the Gospel of John, to “The disciple Jesus loved.” These are well known, and have been widely discussed, here at QTC and elsewhere.  My reservations about these references are that they all come from the author of John’s Gospel, talking about himself as writer. I would be more easily convinced by the argument if there were corroborating evidence from the other Gospels:  if Matthew, or Luke, or Mark, also made the same references to one specific disciple who was “loved” in a way the others were not, andsimlarly noted how he rested his head on Jesus’ breast, or in his lap, and appeared to have inside information on Jesus thoughts and intentions – as John does.
Theodore Jennings, in “The Man Jesus Loved“, might just have some such corroborating evidence, from the Gospel of Mark, and from infuriatingly fragmentary evidence from what just might be a lost,  more extended version of that Gospel: something known as the “Secret Gospel” of Mark. In the first part of the book, Jennings offer an extensive examination of the evidence from John’s Gospel, and concludes that yes, the evidence is clear: there was indeed an unusually intimate relationship between Jesus and the author of that Gospel (whom he does not believe was in fact John). But then he continues, to look for further evidence from the other Gospels.
In Mark, he first draws our attention to a well-known passage which is seldom remarked on for homoerotic associations – the story of the “rich young man”, drawing attention to the words of the text,:
Jesus, looking at him, loved him, and said….
Alone, this these words are not particularly remarkable, except that elsewhere in the Gospels, Jesus is not said to “love” specific individuals outside of the “beloved disciple” of John’s Gospel. It becomes more interesting though, when read together with some other lines from Mark .  Jennings first discusses the curious matter of the “neaniskos“, or “naked young man”, in Jesus company in the Garden of Gethsemane:
And they all forsook him and fled.
And a youth (“neaniskos”) accompanied him, clothed in a linen cloth (“sindona”) over his nudity (“gumnos”).  And they seized him.  And he, leaving his linen cloth, fled nude (“gymnos”).
(Mark 14: 50 -52)
Who is this youth? What is he doing there? Why has he stayed behind, “accompanying” Jesus, after all the others have fled (at least until he is seized, and then flees, naked). Why is he so lightly clothed, that his garment can fall away so easily (the “sindoma” was not properly an item of clothing at all, but just a loose linen sheet)? And why use a word, “gymnos”  for nudity, which is strongly  associated with the homoeroticism of the Greek gymnasium – where young men exercised naked, and older men came to admire them?
But the most intriguing passage of all is found not in the standard Gospel of Mark, but in the so-called “Secret Mark”, supposedly found by Morton Smith in an eighteenth century copy of a previously unknown letter of Clement of Alexandria, found in 1958.  The authenticity is disputed,  but some scholars accept that it authentic, and is taken from an earlier, longer version of Mark’s Gospel than the one we use today.  I’m not going to get into the details of the origin or significance of this fragment  – see Jennings for that – but here is the bit that intrigues:
And they came into Bethany, and a certain woman, whose brother had died, was there.  and, coming, she prostrated herself before Jesus and says to him, “Son of David, have mercy upon me.”..But the disciples rebuked her.  And Jesus, being angered, went off with her into the garden where the tomb was, and straightaway a great cry was heard from the tomb.  And going near Jesus rolled away a stone from the door of the tomb. And straightaway, going in where the youth was, he stretched forth his hand nad raised him, seizing his hand.  But the youth, looking upon him, loved him and began to beseech him that he might be with him.  And going out of the tomb they came into the house of the youth, and he was rich.  And and after six days Jesus told him what he wast to do and in the evening the youth comes to him, wearing a linen cloth over his naked body.  And he remained with him that night, for Jesus taught him the mystery of the kingdom of God. And then, arising, he returned to the other side of Jordan.
This passage has two literary connection to the two earlier passages from canonical Mark: the verb used here for he youth “looking at “Jesus is the same (“emblepein“) as that  that used to describe Jesus when he “looked at” (and “loved”) the rich young man;  and here again, he is described as wearing just a linen cloth over his naked body.  (This is not on being raised from the dead, when such a cloth would have been expected, abut when he came to Jesus six days later.

Now, be honest:  if a young man came to you, “in the evening”, wearing “nothing but a linen cloth over his naked body”, what do you suppose he was after?  And if he came not to you, but to another man, and then stayed the night, what do you suppose your conclusion would be in the morning?
The fragment known as Secret Mark may not be authentic – but then, it may.  If so, the implications and connections to the other two passages, and to John are at least intriguing.  Is this the same rich young man who turned down the invitation to sell all and follow the Lord?  is he the same young man in a linen cloth who stayed with him after all others had fled? Is he, indeed, the “beloved disciple?”
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St John, and Jesus’s Gay Wedding at Cana.

I have written before about St John, the “Beloved Disciple”. Recently, I came across a reflection on the miracel at the wedding at Cana, which added a new dimension, after I dipped into two books, and found ideas that amplified  each other with powerful effect, especially in the current context of advances for marriage equality and the bishops’ opposition. “Take Back the Word” (ed Robert Goss) is a compilation of writings on Scripture designed to take us as queer Christians beyond battles with the “texts of terror”, to an approach more in keeping with what it should be, a source of inspiration and value in our lives.  “Queer Theology: Rethinking the Western Body ” (ed Gerard Loughlin) is a broader and more ambitious compilation, of writing on a range of dimensions of faith from a queer perspective.
Who was getting married?
In the introduction to his book, Loughlin reflects on the story of the Wedding Feast at Cana, (John 2: 1 – 11) which we usually think of in terms of the transformation of water into wine. Immediately I thought of this as a wonderful alternative image for Goss’s “Take Back the Word”. It is one thing for us to move beyond a fear of Scripture to a point where it is the “water” of life: but how can we go beyond even that, to the “wine” of celebration?  This, I thought, is what Elizabeth Stuart does in a short piece “Camping Around the Canon”, which (as it happens) she ends with some thoughts on weddings. Stuart’s point is that we need to be able to approach Scripture with laughter, which is too often absent from religious practice. After a concise exposition of the historical and theological justification for the approach, she offers just one illustration of what she means,  discussing Ephesians, 5:21-33 (“Wives, submit to your husbands”), which is so often used at weddings, and which for women can so easily become a text of terror. Hearing it read at weddings, she says, left her “churning with anger”. But an analysis by Gerard Loughlin changed her reaction from tragic to comic, as the “heteropatriarchal” readings are
undermined and washed away in the deeper waters of the Christian symbolic, for insofar as as women are members of the body, they too are called to be Christ to others; so that they too must also act as “groom” and “husband”; to the “bride” and “wife” of the other, whether it is to a man or woman.  For it cannot be said that within the community only men are called to love as Christ does.”
-Gerard Loughlin, “Baptismal Fluid“, unpublished paper quoted by Stuar
Stuart comments:
Loughlin’s reading of the text had transformed it into a queer text. The very incongruity of this reading with the “original” reading is enough to stimulate laughter. I find it funny that this passage should be read so often and do solemnly at weddings, the great ceremony of heteropatriarchy.
-Stuart, Camping Around the Canon, in Goss “Take Back the Word
I remember a comparable insight and laughter from my own experience. Once on retreat, I found myself reflecting on the familiar image of the Church as the bride of Christ, and realized that as a gay man, I was spared the oddity (for straight men) of imagining myself as “bride”, and instead was able to picture myself in my meditation as “groom” of Christ – a meditation that became extremely powerful. Looking  back on it later, I found satisfaction and humour in the realisation that my orientation had given me a unique advantage in my prayer.
This left me with a predisposed receptivity to Loughlin’s main ideas concerning the wedding at Cana.  Instead of considering the miracle of transformation, he asks instead, “Who is it that was married?”. He answers the question in stages.
First, he points out that the story should be read as a parable, with distinct anticipation of the Last Supper,  Passion and Resurrection. The wedding takes place on “the third day” (anticipating the resurrection) after He has talked with Nathanel (John 1:43 -51), and the transformation of water into wine anticipates the transformation of wine into His blood. In a liturgical setting, the Mass recalls these three days. So, it is a standard idea that symbolically, in the church’s recollection of the story, we are all guests at the wedding, where Christ is marrying his Church.   At one level closer to the literal, it is Christ marrying his disciples. Loughlin then goes on to discuss a fascinating more literal idea from the early and medieval church – that it was indeed Christ who was married – to John, the beloved disciple. This idea was articulated in the apocryphal Acts of John, in which it is said that John broke off his betrothals to a woman to “bind himself” to Jesus. This was apparently a common strand in some German medieval thinking, right up until the Reformation, and is visually illustrated in some surviving art.  In a  “Libellus for John the Evangelist”, a painting of the wedding feast is said to feature a bearded Christ seated next to a beardless, androgynous John – whom, says Loughlin, he appears about to kiss.  In the “Admont Codex” illustrated manuscript of  St Anselm’s “Prayers and Meditations”, an illustration in two parts shows John’s story. In one, John is seen leaving his female betrothed. In the companion piece, he is lying on the ground with this head on Jesus’s breast, while Jesus himself is tenderly caressing his chin.
Is this tradition “true”? We cannot know. Like so much much else in Scripture, it is impossible to get through the mists produced by unfamiliar language, a different literary tradition, and remote historical /cultural context to get close to the literal “truth” behind the text.   No matter. Even without accepting  this idea literally, it is enough for me to know that it was once widely accepted in the mystical tradition, and to incorporate it into my reader response.
It is when Loughlin moves beyond the “meaning” of the text to its multiple ironies that the fun starts. This where, in sympathy with Elizabeth Stuart, I found myself quite literally laughing with Scripture.  For if it is true that the consecration of Eucharistic wine into Christ’s bloods is prefigured in the Cana transformation of water into wine, then we can see that in every Mass we are commemorating  Christ’s own wedding with His (male) disciples. Every Mass can be seen as a mystical gay wedding.  That Mass is celebrated by a priest who has committed himself to celibacy, and so forswears procreation himself, but is expected to preach against gay marriage or others – because homosexual intercourse, being unable to procreate, is “intrinsically disordered“. The priesthood in turn, is run by a a similarly celibate coterie in the Vatican which reproduces itself by recruitment not biological reproduction – and castigates the homosexual community for its own social, not biological reproduction.
The threat posed by gays and lesbians to family and society is often proclaimed by men – named “fathers”- who have vowed never to to beget children. The pope lives in a household of such men – a veritable palace of “eunuchs”for Christ  – that reproduces itself by persuading others not to procreate. Why us the refusal of fecundity – the celibate lifestyle – not also a threat to family and society?
-Loughlin, introduction to “Queer Theology”
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